Archive | All That Philly Jazz RSS feed for this section

Women in Jazz Month 2018

12 Mar

March is Women in Jazz Month, a time to celebrate the contributions of women to jazz. Few – male or female – have contributed more to the jazz canon than Billie Holiday. In the decades since her death, Lady Day has been celebrated in film, song, books, fashion and art.

billie-holiday-life-beautiful

ClickitTicket, a resale marketplace, has created a timeline of Billie Holiday’s life, beginning with her birth in Philadelphia in 1915 and ending with her death in a New York City hospital in 1959.

billie-holiday-timeline

An excerpt:

Billie Holiday’s voice was a little thin and somewhat limited. She had no technical training; she couldn’t even read sheet music.

Yet, Holiday is one of the greatest vocalists of all-time.

What she lacked in power and tone, she made up for it with the ability to tell a story and emote. Every song she sang she made her own.

Holiday was a true artist who had a profound impact on both jazz and pop music.

She made a huge impact on countless artists including Frank Sinatra.

“Lady Day is unquestionably the most important influence on American popular singing in the last twenty years,” explained Ol’ Blue Eyes to Ebony magazine in 1958.

Despite personal demons, abusive romantic relationships, and the specter of racism, Holiday achieved commercial and artistic success during her lifetime.

Since her death in the late 1950s, generations of musicians have turned to her recordings for inspiration and enlightenment.

READ MORE

Leonard Bernstein@100

4 Dec

This year marks the centennial birthday of several jazz luminaries, including Ella Fitzgerald, Dizzy Gillespie, Lena Horne and Thelonious Monk. Philharmonic Laureate Conductor Leonard Bernstein was born on August 25, 1918 but the celebrations are already underway. The worldwide festivities will continue until August 25, 2019.

Leonard Bernstein

Bernstein had a longstanding appreciation of jazz, blues and spirituals. His 1939 Harvard University bachelor’s thesis was entitled, “The Absorption of Race Elements into American Music.”

From LeonardBernstein.com:

From his earliest years, jazz was an integral part of Bernstein’s life, and it made a crucial impact on his own music.

As a teenager in the 1930s, he put together a jazz band, was famous for his jazz piano playing at parties, and directed a swing band at summer camp. Some of the jazz-inflected music he composed in the mid-1930s at Harvard, and later at Curtis [Institute], provided source material for future works. Perhaps most significantly, his undergraduate thesis was no less than an assertion that jazz is the universal basis of American composition. In New York soon after college, he got to know jazz intimately, by day transcribing for publication the improvisations of legendary players like Coleman Hawkins, and playing piano in jazz clubs at night.

About 15 years ago, I first saw this video of Bernstein conducting Louis Armstrong performing “St. Louis Blues” with the composer, W.C. Handy, in the audience. The images are forever etched in my mind.


Last Saturday, I attended the Louis Bernstein Marathon at the CUNY Graduate Center, an eight-hour concert that featured performances of Bernstein’s most popular work. For me, the event was a mash-up of two of my passions: good music and historic preservation. The CUNY Graduate Center is located in the repurposed B. Altman & Co.

B. Altman

For Louis Bernstein at 100 calendar of events, go here.

%d bloggers like this: