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Gone Fishing!

28 Aug

We’ll be back after Labor Day.

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A Room with a View of the Blues

26 Jun

Earlier this month, I attended a panel discussion on “Art in Public Space” held in the Hamilton Garden of the Kimmel Center. As I waited for the program to start, I checked out the view from the top floor. What I saw left a hole in my heart.

PRI Vacant Lot

The hole is where Philadelphia International Records once stood.

PRI Collage - June 4, 2017

Kenny Gamble and Leon Huff have earned their place in history.

Kenny Gamble - Leon Huff - History

Sadly, the building that held the stories of the songwriters, musicians, producers and arrangers is now lost to history. For the love of money, African Americans’ cultural heritage was erased from public memory.

Gamble and Huff sold the historic building to Dranoff Properties which plans to build a luxury hotel and condos for the one percent. Three years after the demolition of “309,” there’s just a hole in the ground. The reason: Dranoff Properties is waiting for a corporate welfare check to the tune of $19 million before breaking ground on the “biggest, tallest and most expensive” project the company has ever done.

In the poorest big city in the country, spending taxpayers’ money to further enrich the rich is the sound of Philadelphia.

African-American Music Appreciation Month 2017

5 Jun

On June 7, 1979, President Jimmy Carter proclaimed the month of June “Black Music Month.” Every president since then has recognized the contribution of black musicians to the nation’s cultural heritage. In 2009, President Barack Obama changed the month-long celebration to “African-American Music Appreciation Month.”

The tradition continues with President Donald Trump:

During June, we pay tribute to the contributions African Americans have made and continue to make to American music. The indelible legacy of these musicians who have witnessed our Nation’s greatest achievements, as well as its greatest injustices give all Americans a richer, deeper understanding of American culture. Their creativity has shaped every genre of music, including rock and roll, rhythm and blues, jazz, gospel, hip hop, and rap.

[…]

We also take time this month to recognize the musical influence of two of the greatest jazz musicians of all time, Dizzy Gillespie and Ella Fitzgerald, as this year marks their centennial birthdays. Gillespie, through his legendary trumpet sound and Fitzgerald, through her pure, energetic voice, treated people around the world to spirited and soulful jazz music. Their work has influenced countless musicians, and continues to inspire listeners young and old.

NOW, THEREFORE, I, DONALD J. TRUMP, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim June 2017 as African-American Music Appreciation Month. I call upon public officials, educators, and all the people of the United States to observe this month with appropriate activities and programs that raise awareness and appreciation of African-American Music.

I kicked off this year’s celebration by attending opening night of Motown The Musical.

The multi-media musical recaps familiar stories about how Berry Gordy Jr. founded the Motown Record Company; Gordy’s affair with Diana Ross; self-destructive Florence Ballard; the tempting Temptations and their rivalry with the Four Tops; songwriter, singer and Motown lifer Smokey Robinson; child prodigy and history-maker Stevie Wonder; and the discovery of The Jackson 5. The Motown breakups include Mary “My Guy” Wells, Marvin Gaye, songwriting and production team Holland-Dozier-Holland, and Diana Ross and the Supremes.

The audience went nuts when Martha Reeves and the Vandellas gave “Philadelphia, PA” a shout-out in “Dancing in the Streets.” Although one knows how the stories end, the retelling is fresh and joyous. The musical culminates with a “family” reunion to celebrate the 25th anniversary of Motown.

I remember like it was yesterday watching the television special, Motown 25: Yesterday, Today, Forever. In 1983, I sang the songs at the top of my lungs, danced in front of the TV, and marveled as Michael Jackson debuted the moonwalk. At the Academy of Music, I danced in my seat and tried not to sing too loud.

But it wasn’t just the songs and dancing that kept a smile on my face. I love that the music is contextualized. Motown addresses racial segregation in the South and the North, the senseless war in Vietnam, the March on Washington, the assassination of Dr. Martin Luther King Jr., and the Black Power Movement. By the 1970s, the “Motown Sound” was the sound of the struggle for racial justice.

Motown The Musical is playing at the Academy of Music through June 11. For ticket information, visit kimmelcenter.org.

Jazz Appreciation Month 2017

31 Mar

Founded by the National Museum of American History in 2002, April is Jazz Appreciation Month.

JAM Collage

On Monday, April 3, the John F. Kennedy Center for the Performing Arts and the National Endowment for the Arts will celebrate the 2017 NEA Jazz Masters at an all-star concert featuring music from their careers to tell the story of their lives.

NEA Jazz Masters

The event will be moderated by Kennedy Center Artistic Director for Jazz Jason Moran, who said in a statement:

This will be another special celebration for people who have been integral to the ever evolving stage of jazz. From the journalist, to the innovator, each of the honorees has demonstrated a timeless devotion to jazz ethics. Each honoree arrives at the music from a different avenue and helps focus the audience’s vision of as the music continues to evolve. Kudos to the NEA for continuing to honor artists who have devoted their livelihoods to contributing to the cultural fabric of America.

The tribute concert will feature conversations with the 2017 NEA Jazz Masters alongside musicians whose lives they have influenced. The performers will include NEA Jazz Masters Paquito D’Rivera and Lee Konitz; National Medal of Arts recipient and Kennedy Center Honoree Jessye Norman; vocalist Dianne Reeves; multi-instrumentalist Booker T. Jones; Sherrie Maricle and the Diva Jazz Orchestra; and Hammond B-3 artist Matthew Whitaker, a 15-year-old protégé of Dr. Lonnie Smith.

The free concert is “sold out.” You can view a live-stream of the event beginning at 7:30 p.m. ET at arts.gov, Kennedy-Center.org and NPR.org/Music. The concert will be broadcast live on SiriusXM Channel 67, Real Jazz.

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