Public art matters. Confederate monuments were installed to change the narrative about slavery and the Civil War, and to romanticize insurrectionist leaders of the “Lost Cause.”
In cities across the country, citizens have organized to take down symbols of white supremacy.
In some places an empty pedestal is all that remains.
Color of Change has launched The Pedestal Project, an Augmented Reality experience that replaces symbols of hate with symbols of equality:
Contentious statues have been torn down all across America, leaving behind empty pedestals in their wake. It’s time to place new symbols in their stead. The Pedestal Project is born of the vision to repurpose these ill-conceived pedestals by using technology to help people choose the statues that should go up on them. Statues of people who have dedicated their lives to fighting for justice and equality. So that beacons of hope and progress can stand where symbols of hate, oppression and inequality once stood. And that people everywhere can have an active voice in the movement for racial justice.
Thirty years ago, now-Columbia Law School professor Kimberlé Crenshaw coined the term intersectionality, “a lens through which you can see where power comes and collides, where it interlocks and intersects. It’s not simply that there’s a race problem here, a gender problem here, and a class or LBGTQ problem there. Many times that framework erases what happens to people who are subject to all of these things.” Midwood Investment & Development’s demolition of 204 South 12th Street will erase LBGTQ history and Black history from public memory. The fight to save the Gloria Casarez mural intersects with the fight to save one of the few extant buildings associated with the Underground Railroad.
Casarez was a civil rights leader and LGBTQ activist, and the first director of Philadelphia Mayor’s Office of LGBT Affairs. Her mural adorns one of the interconnected buildings owned by Midwood. The building to the right of the mural is the former residence and place of business of Henry Minton, a leading Black abolitionist and elite caterer whose guests included John Brown, Frederick Douglass and Frederick Douglass, the Father of the Underground Railroad.
Midwood plans to demolish the property and build apartments for the “demographic moving to Philly” (read: white people). In an op-ed published in The Philadelphia Inquirer, Erme Maula, a lifelong activist for justice and equality, wrote:
The Gloria Casarez mural at 204 S. 12th St. is scheduled for imminent demolition by Midwood Development and Investment. Midwood plans to knock down the former 12th Street Gym and build a 31-story building in its place.
Anyone who knew Gloria and her impact on Philadelphia knows that the loss of the mural is a massive loss for our city. The mural was erected in 2015 to honor Gloria Casarez, a local Latina activist who died of breast cancer in 2014. Gloria dedicated her life to civil and economic rights. She brought communities together to find common ground and common vision. As a student, she organized other students to push for affordable housing and an end to homelessness. As the city’s first director of LGBT affairs, Gloria led Philadelphia to adopt the broadest protections for LGBT people in the nation.
On Monday, October 19, 2020, there will be a “Keep Gloria on 12th” vigil in front of the mural from 5pm to 6:30pm, followed by a Town Hall via Zoom at 7pm. The town hall meeting will provide a space to “plan further actions to stop the erasure of our lives, our achievements, and our history that Gloria fought to preserve.” The vigil and town hall are open to the public. To register, go here.
RT @FBI: The #FBI has arrested many of the participants in the violence at the U.S. Capitol on January 6. Help us find others who remain at… 1 hour ago
RT @NASA: 🔴 LIVE NOW: Today, we make it official. Join us from Hidden Figures Way as we celebrate the renaming of our headquarters building… 11 hours ago