Democrats Promise ‘A Better Deal’

Last week, Congressional Democrats unveiled a new economic agenda, “A Better Deal: Better Jobs, Better Wages, Better Future,” that they hope will help them win back the House in 2018.

The three-point plan includes:

• Raise the wages and incomes of American workers and create millions of good-paying jobs.
• Lower the cost of living for families.
• Build an economy that gives working Americans the tools to succeed in the 21st Century.

In a New York Times op-ed, Senate Minority Leader Chuck Schumer wrote:

Democrats have too often hesitated from taking on those misguided policies directly and unflinchingly — so much so that many Americans don’t know what we stand for. Not after today. Democrats will show the country that we’re the party on the side of working people — and that we stand for three simple things.

First, we’re going to increase people’s pay. Second, we’re going to reduce their everyday expenses. And third, we’re going to provide workers with the tools they need for the 21st-century economy.

While Schumer said Democrats are not targeting blue-collar Americans in rural areas (read: white voters), this image seems to be sending a subliminal message.

Hmmm.

Jazz and TV

In 1970, a band of musicians sounded a call to arms over the exclusion of black jazz musicians in the mass media, specifically commercial television. Broadcast TV was the dominant medium of the era. Multi-instrumentalist Rahsaan Roland Kirk spearheaded the Jazz and People’s Movement. Kirk circulated a petition in New York City jazz clubs which was signed by, among others, Lee Morgan, Charles Mingus, Andy Cyrrile, Freddie Hubbard, Cecil Taylor, Elvin Jones, Pharoah Sanders, Archie Shepp and Roy Haynes.

The petition read, in part:

Many approaches have been used through the ages in the attempted subjugation of masses of people. One of the very essential facets of the attempted subjugation of the black man in America has been an effort to stifle, obstruct and ultimately destroy black creative genius; and thus, rob the black man of a vital source of pride and liberating strength. In the musical world, for many years a pattern of suppression has been thoroughly inculcated into most Americans. Today many are seemingly unaware that their actions serve in this suppression – others are of course more intentionally guilty. In any event, most Americans for generations have had their eyes, ears and minds closed to what the black artist has to say.

Obviously only utilization of the mass media has enabled white society to establish the present state of bigotry and whitewash. The media have been so thoroughly effective in obstructing the exposure of true black genius that many black people are not even remotely familiar with or interested in the creative giants within black society.

Such injustice has reaped immense ramifications for white society. By suppressing black creativity the white man has managed to avoid competitive confrontation – thus insuring his own position and security, both emotionally and monetarily. Concomitantly, he has partially succeeded once more in emasculating a facet of black culture and the black quest for freedom. However, in one respect the pattern of suppression has clearly failed, for though there has been success in blocking the exposure of black artists, and in whitewashing the minds of most Americans, attempts to destroy the sources of creation have not succeeded.

Action to end this injustice should have begun long ago. For years only imitators and those would sell their souls have been able to attain and sustain prominence on the mass media. Partially through the utilization of an outlandish myth, that in artistic and entertainment fields bigotry largely no longer exists, and by showrooming those few blacks who have sold out, the media have so far escaped the types of response that such suppression and injustice should and now will evoke.

The Jazz and People’s Movement took action. Demonstrators disrupted tapings of The Tonight Show with Johnny Carson, The Dick Cavett Show and The Merv Griffin Show. They played instruments and blew whistles that they had smuggled into the studios where the shows were taped.

Also in the ‘70s, trumpeter, arranger and all-around musical genius Quincy Jones was on the board of the Institute of Black American Music whose mission was similar to Jazz and People’s Movement.

Fast forward to today, the multi-Grammy winning Jones is taking a journey into jazz and beyond with Qwest TV, the world’s first subscription video-on-demand platform dedicated to jazz from bebop to hip-hop.

In a statement, Jones said:

The dream of Qwest TV is to let jazz and music lovers everywhere experience these incredibly rich and diverse musical traditions in a whole new way.

At my core, I am a bebopper, and over the course of my seventy-year career in music I have witnessed firsthand the power of jazz – and all of its off-spring from the blues and R&B to pop, rock and hip-hop, to tear down walls and bring the world together. I believe that a hundred years from now, when people look back at the 20th century, they will view Bird, Miles and Dizzy, as our Mozart, Bach, Chopin and Tchaikovsky, and it is my hope that Qwest TV will serve to carry forth and build on the great legacy that is jazz for many generations to come.

Qwest TV co-founder Reza Ackbaraly added:

By bringing Qwest TV to the general public and to universities everywhere, we seek to promote the values inherent to jazz: hard work, diversity, openness towards others, mutual respect and consideration, cooperation, and improvisation. Jazz touches people across all national, social and cultural boundaries. Qwest TV is of course about extending that reach, but it is also about bringing exciting music from around the world back to jazz and music lovers who have yet to discover it. Quincy and I plan to build a community where the love goes both ways.

The streaming service will launch in fall 2017. For more info, visit Qwest TV.

The High Cost of ‘Affordable’ Housing

There is an affordable housing crisis across the country. The demand for affordable housing far exceeds the supply. In the nation’s poorest big city, the Philadelphia Housing Authority spends nearly $400,000 for each new “affordable” rental unit. With 42,886 people on its wait list, PHA would need $17,154,400,000 — more than four times the annual operating budget of the City of Philadelphia — to provide housing for those currently on its wait list. And by the way, PHA’s wait list is closed:

PHA closed its Public Housing Program wait lists on April 15, 2013. The wait list will reopen when PHA determines that the average wait time for housing has reached an acceptable level. The public will be notified through advertisement on this website.

Frontline and NPR recently investigated how billions are spent to house the poor but fewer housing units are being built.

In December 2016, PHA welcomed residents to 57 new apartments that cost the housing authority a whopping $21.9 million. The project was partly financed with Low-Income Housing Tax Credits (LIHTC). Before the paint was barely dry the contractor, Domus Inc., filed a lawsuit alleging PHA “repeatedly changed the terms of the contract, refused to cooperate with the contractor and delayed payment.”

If Domus wins its case, the cost for one unit of LIHTC-funded “affordable” housing could be more than $400,000. To put PHA’s construction costs in context, the median home value in Philadelphia is $142,000. The city’s median income is $41,233; 44 percent of households have an annual income of less than $35,000.

Domus and PHA will face off before Common Pleas Court Judge Patricia McInerney on July 18, 2017. Stay tuned.

Life on Parole

It has been less than two weeks since now former Philadelphia District Attorney Seth Williams pled guilty to one count of violating Pennsylvania bribery law. U.S. District Court Judge Paul Diamond was so outraged by Williams’ mountain of lies, he revoked his bail and ordered his immediate detention.

When Williams is sentenced in October, Judge Diamond will likely impose the statutory maximum of 57 months and a $250,000 fine. Club Fed will be hard on Williams but not as hard as the life that awaits him as a returning citizen. At the recent Beyond the Walls: Prison Healthcare and Reentry Summit, speaker after speaker underscored that reentry begins inside the walls. So if the former DA has TV privileges, he should check out Frontline’s “Life on Parole,” a look at Connecticut’s efforts to reduce recidivism.

The documentary airs on PBS on Tuesday, July 18. To check your local listing, go here.

4th of July 2017